To view this content, you must be a member of Ben's Patreon at $10 or more
Already a qualifying Patreon member? Refresh to access this content.
To view this content, you must be a member of Ben’s Patreon at $10 or more Unlock with PatreonAlready a qualifying Patreon member? Refresh to
To view this content, you must be a member of Ben’s Patreon at $10 or more Unlock with PatreonAlready a qualifying Patreon member? Refresh to
To view this content, you must be a member of Ben’s Patreon at $10 or more Unlock with PatreonAlready a qualifying Patreon member? Refresh to
To view this content, you must be a member of Ben’s Patreon at $10 or more Unlock with PatreonAlready a qualifying Patreon member? Refresh to
Subscribe to be a patron and get additional posts by Ben, along with live-streams, and monthly patron meetings!
Also each month, you will get a special coupon code to save 20% on any product once a month.
5 thoughts on “The Shape of the Story”
Sometimes I go back AFTER the plot is fleshed out and the story is told/written, and during the early iterations/readings I ask for more details, which I add in then – live in real time. Doesn’t this process more closely parallel the writer’s process, anyway? I mean we don’t necessarily need all the physical description details to wrap up the story, but once that story is sculpted it’s fun to refine the images…
So I may add the student-suggested cape or enormous plastic diamond ring later.
Yeah I really add in details in Phases 3/4. That’s fine bc it’s visual at that point. But not in Phases 1/2 when it’s still all auditory.
I’ve been thinking lately that if you have what I call a “story starter”, you don’t need anything else, let alone lots of details, bc the story starter by itself builds sufficient tension to grab the kids’ attention where it abides – in plot. And since the language is so new to them, in simple plot.
More: https://benslavic.com/blog/?s=story+starters
When you speak of Phase 3/4, do you mean the questioning levels 3 and 4?
No – the phases on the Star.